Questions? doug@latterdaymusiversity.com
Dr. Douglas Pew, American composer praised by Tabernacle Choir Director, Dr. Craig Jessop for “writing music filled with sensitivity and beauty, always complementing the spirit of the text” reveals...
If you know you’re “called to the work” of declaring your testimony through music... I can show you how to craft irresistible “warm fuzzy” moments in every piece you write using my “claim your inheritance” method for modeling the great composers!
If you can play at least "some" of the standard Hymns and Primary Songs on the piano, I can teach you to write emotionally effective, powerful testimony music, guaranteed!
"I'm amazed how you can get such good music out of us, and that every one of our songs is so unique. Every one of them has something so beautiful in it. It just blows my mind to think that we did this!"
- Claire Nabrotzky, Palmyra New York
From: Dr. Douglas Pew
Just North of Utah Lake
Lehi, Utah
Dear Fellow Latter-Day Church Musician,
I know you’ve felt them. Those warm, fuzzy, soothing, intoxicating musical “feels.”
Oooo… aren’t those musical testimony shivers just the best?!

Dr. Doug (right) with his teacher, world-renowned Polish choral composer, Dr. Paweł Łukaszewski who taught him to turn all his musical endeavors toward service to God.
If you’re like me, it’s those musical “feels” that got you addicted to powerful music in the first place. It’s what caused you to want to learn to play, sing, or participate in music in some shape or form.
But when it comes to writing music...
Can you really learn how to create powerful "Warm Fuzzy" moments if you're a music-writing rookie?
Actually, YES! You totally can.
I’ve spent my career as a composer seeking out, studying, dissecting, and applying all the tantalizing musical "feels" I can learn and inserting them into my own music as often as possible.
I used many of these musical “warm fuzzy” secrets when composing my 2 operas for the John F. Kennedy Center, my Chilean suite of piano pieces for my Carnegie Hall debut, a full-scale Mass for the Catholic Church in Poland, Sacred Cantatas for my St. Thomas Episcopal Church in Cincinnati, and many other works and performing ensembles.
I also use them each time I compose a hymn arrangement, Ward Choir piece, Primary Song, or any other Sacrament Meeting music.

Snapshot (with lots of glare) of Dr. Doug's 2nd John F. Kennedy Center Opera Premiere Poster.
For the past few years, I've been teaching Latter-Day Saint musicians how to use these same musical "warm fuzzy" tools. These faith-filled songwriters and composers have written many wonderful Primary Songs, Hymns, and Hymns Arrangements using these methods.

"Diatonic Voice Leading"

The 4 types of motion and how to use them without committing the most common voice-leading errors. How to avoid motion that goes against the grain of acoustic properties, giving your music an empty, emotionless sound.
A 3-step process for creating any and all kinds of suspension between voices (suspensions are those greatly fulfilling steps at the end of the piece that bring the music home... like at the end of "I'm Trying To Be Like Jesus").
How to properly leap without causing your musical line to crack. Why common tones are your best friends when moving from one chord to the next. Plus, I'll show you what you should always do next after leaping in your bassline to a dissonant interval.
The most fundamental chord progression and how to keep it interesting with the "principle of prolongation."
What never to double in your first inversion "dominant 7th" chords, and why Mozart, Bach, and all the others avoided this voice-leading taboo.
When landing firmly on the WRONG note, and on a big downbeat, is one of the most delicious things you can possibly do in your 4-part writing. Plus, how to turn a "whoops, I got there too early" mistake in one of your 4 parts into an opportunity for a lush resolution of a phrase.
A semi-dark-chocolate chord to tastefully create a rich and warm texture.
The Beatles' "Hey Jude" secret to extending this hit song by shifting harmonic solar systems via the Sub-Tonic Chord.
One of my personal favorites, and often used in my Church music... How to use the Sub-Tonic as a quasi-Dominant 7th resolution to freshen up your harmonic landscape.
The "switch-a-roo" favorite chord of Schubert (which I'm particularly partial to as well) that makes the mediant so loverly (well, one of the reasons).
Enter your bullet points here..
"BASE MEMBERSHIP"
Week #1: Melody of the Month

Week #2: Chord Progression of the Month

Week #3: Piano Mantra & Lyrics of the Month

Week #4: Voice Leading Tip of the Month




Base Membership


Weekly Live Zoom Calls for Critique and Q&A

A Resource Library of Harmony Courses
Complete Chord Library. Short, easy-to-use video tutorials of all diatonic chords and the "most common" chromatic chords. Plus, you'll learn how to plug them into the Harmonic Progression Chart so you know where to take each chord next.
Composing Melodies & Variations. In this tutorial, you'll dig into how great melodies are composed. Without melody, music wouldn't stick nearly as well. And neither would the gospel message set to music. Now you can learn to craft more powerful melodies and know how to develop them through the power of "variation" technique, just like the master composers.
Intro To Harmony. Need to start from the very beginning? This is the place to start! You'll get a solid foundation in the fundamentals of harmony right from the very beginning. This will prepare you perfectly for the rest of the courses inside the Club.
Enter your bullet points here..



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